MIKALOJUS KONSTANTINAS ČIURLIONIS / FRANTIŠEK CHALOUPKA: MY ROAD
MIKALOJUS KONSTANTINAS ČIURLIONIS a cappella choral works I 35′ (František Chaloupka: intermezzi for clarinet and piano)
Aš prašiau Dievą (I Asked the Lord) VL 30, VL 30a
Anoj pusėj Nemuno (On the Other Side of the Nemunas River) VL 27
Šėriau žirgelį (I Fed My Riding Horse) VL 68, VL 68a
Ant kalno gluosnys (A Willow on the Hill) VL 27b
Lakštangėlė (Nightingale) VL 43
Beauštanti aušrelė (Dawn Is Breaking) VL 31
Kelk, dukrele (Get Up, Dear Daughter) VL 42
Bėkit, bareliai (Stretch Away, Fields) VL 32
Kas bernelio pamįslyta (Young Boy’s Promises) VL 41
Dainų dainelė (The Song of Songs) VL 33
Oi giria, giria (Down in the Green Woods) VL 52, VL 53
MIKALOJUS KONSTANTINAS ČIURLIONIS solo piano works I 30′ (František Chaloupka: intermezzi for clarinet)
Oi giria, giria (Down in the Green Woods) VL 276
Jūra (The Sea) VL 317
Variations „Sefaa Esec“ VL 258
Fugue in B-flat minor VL 345
Prelude in F-sharp major „Angelus Domini“ VL 184
FRANTIŠEK CHALOUPKA Hyperborea, opera-oratorio for clarinet, piano, soloists and choir, commissioned by the festival, world première
Anna Paulová clarinet
Miroslav Beinhauer piano
Chamber Choir Aidija
choirmaster Romualdas Gražinis
dramaturgy Vítězslav Mikeš a František Chaloupka
You can download the concert program here.
The first half of the concert lasts one hour, followed by a twenty-minute intermission and a second half lasts 45 minutes.
September 2025 marks the 150th anniversary of the birth of Mikalojus Konstantinas Čiurlionis (1875-1911), an artistic figure of Renaissance scope and undoubtedly the greatest figure of Lithuanian visual and musical art at the turn of the 19th and 20th centuries. Čiurlionis is a world-famous symbolist painter and a prized composer, the founder of Lithuanian national music. In Lithuania, it is said that one of the first to recognise Čiurlionis’ musical talent was the Czech musician and teacher Josef Mašek, who worked at the court of the Ogiński princes in Rietavas at the turn of the 19th and 20th centuries. (Incidentally, at the same time as Mašek, another Czech music teacher, Rudolf, the son of Dvořák’s teacher Antonín Liehmann, became famous in Lithuania – specifically in Rokiškis.) The student orchestra led by Mašek maintained exchange contact with an orchestra from the nearby town of Plungė, where Čiurlionis was studying and playing the flute at the time. I feel that the music of Čiurlionis will arouse enthusiasm not only in Rietavas and Plungė, even not only in Lithuania, but will travel far and wide, Mašek is said to have heard more than once…
In his paintings Čiurlionis emerged as a creator of fantastic and symbolic visions, combining natural and folkloric elements with cosmological, philosophical, pagan or biblical scenes. Even as a painter, he did not deny himself as a musician: he often “composed” his paintings into cycles (diptychs, triptychs…) and took their titles from musical terminology: Forest Music, Prelude and Fugue, Sonata of the Sea, Sonata of the Stars, etc. In the sonatas, he also called the individual “movements” after the tempo designations of the movements of the classical sonata cycle.
The MKČ 150 project, which will symbolically bring together artists from the Czech Republic and Lithuania, will present a selection of Čiurlionis’ piano and choral works, which are the domain of his musical legacy, as well as the world premiere of a new composition by František Chaloupka, a prominent Czech composer of his generation, inspired by Čiurlionis’ compositional and artistic work. The entire evening will be conceived as a compact project, accompanied by a light design based on the colours of Čiurlionis’ paintings.
Under the auspices of Rolandas Kačinskas, Ambassador Extraordinary and Plenipotentiary of the Republic of Lithuania to the Czech Republic.
Listen to:
Mikalojus Konstantinas Čiurlionis: choral work (Aidija)
Mikalojus Konstantinas Čiurlionis: Fugue in B minor for piano